Old versions are available for download here. ICMC paper - “Software for Spectral Analysis, Editing, and Synthesis.” (pdf) Older Versions
Visit the timbre studies page to hear some examples of SPEAR analyses that have been transformed and resynthesized using Common Lisp Music.ĭ.M.A.dissertation - Spectral Analysis, Editing, and Resynthesis: Methods and Applications (pdf) Then click the Open button.įor MacOS X 10.4 or later (Intel and PowerPC 32-bit universal binary)ġ.99 MB For MacOS X 10.2 and 10.3 (PowerPC)ġ.37 MB For MacOS 9 (requires CarbonLib 1.6)Īnalyses of input sounds from the Analysis/Synthesis Comparison Session at ICMC 2000 in Berlin. You will likely see a warning “SPEAR” can’t be opened because Apple cannot check it for malicious software. Getting started with FScape from Sciss on Vimeo.For macOS X 10.10 or later (x86-64 and arm64 universal binary) The following 14 minute screencast should allow you to get started with FScape: a sound could be first translated into the Fourier domain before applying other algorithms which you would normally reason about in the time domain, or processes could be repeated over and over again). At the same time, the repertoire is virtually unlimited, as the modules can be combined in ever new ways (e.g. The compression tool that also supports ZIP, 7-Zip, Z, 7z, CAB, ARJ, LZH, TAR, Gzip, UUE, BZIP2 and ISO. What I'm especially after are the mutation and spectral extraction functions. The Soundhack externals for Max Msp present a. Most of the things it does will have (even free) alternatives, but rarely do they carry the technical control that soundhack provides, down to FFT window types and overlapping amounts, etc.
#Download soundhack for windows rar#
FScape is used by composers worldwide and is also suitable for teaching, as the basic setup is fairly simple and some modules quickly provide rewarding results with minimum prior knowledge. WinRAR Download - Official WinRAR / RAR publisher. One such implementation of this methodology is the use of external software that extends these products. For instance, in my piece «Inter-Play / Re-Sound», parts of the past improvisation – which is record continuously – are picked out, transformed and re-injected, after only a few seconds of processing, as new material for the ongoing piece.Īlthough many modules have close relationships with particular pieces I wrote, they nevertheless form a universal toolkit for any work on concrete sounds. There are many processes, however, which run hundred times faster than real-time, opening intesting applications for the embedding (using an OSC interface) of FScape in real-time improvisation or installations. This allows on the one hand to access the sounds in a non linear fashion, but also facilitates complex calculations which even today would not be possible in real-time speed. "resource-rich and highly recommended for anyone looking for some wild ways to bend, fold, spindle, and mutilate audio." (Dave Phillips for Linux Journal)įScape received the 2014 LoMus award of the Association Française d’Informatique Musicale (AFIM).Ī peculiarity is the fact that all modules operate in non real-time. The sounds I'm getting out of it so far have been killer. "It feels like a cross between SoundHack, Syd, and Argeiphontes Lyre. Highly useful within sound design." (filmcrewpro) "Can be used to manipulate audio into weird and wonderful sounds. Many of the processes and their ways of parametrisation are unique. From simple utilities such as separating channels, normalising, cutting and splicing sounds, through various DSP and filtering algorithms to more complex algorithmic units which take a sound, analyse it, and rearrange it in new forms. Today FScape consists of around fifty independent modules for rendering audio files. can create an account on to purchase and download the plugins. Originally it started as an extension to Tom Erbe's SoundHack, providing 'spectral operators'. It leads like a red thread throughout my musical work, by conceiving sound as a 'clay', a flexible, sculptural mass. The development of FScape began in the year 2000 (happy 14th anniversary!).
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